Sunday, April 30, 2006

Eleven 11 tips on how to teach your child about money.

Financial Literacy

Personal Finance
The Fiscal Facts Of Life
Scott Reeves, 04.25.06, 6:00 AM ETNew York -

If you can teach your child the difference between needs and wants, how to budget and how to save, your child will know more than many adults.

But if you get it wrong, you child is likely to join the millions of Americans who rack up huge credit-card debt and get stung each month by stiff interest payments.

"The biggest mistake parents make is not starting to talk about money at an early age," says Carrie Schwab-Pomerantz, senior vice president and chief strategist for consumer education at Charles Schwab (nasdaq: SCHW - news - people ). "The sooner you start, the easier it is to pass on both mechanical skills about managing money and your financial values."

Eleven 11 10 ten tips on how to teach your child about money.

The Charles Schwab Foundation's annual survey, "Teens & Money," found that kids know how to spend money, but they don't fully understand the consequences of their behavior. The majority of kids know how to write a check and use a debit card, but less than half know how to balance a checkbook. Teens know how to shop for the best price, but they don't understand budgeting.

Surprisingly, the survey of 1,013 kids ages 13 to 18 found that teens are beginning to accumulate debt, and nearly half express concern about paying it back. On average, teens ages 16 to 18 owe $315, and those ages 13 to 15 owe $84. Some 14% of teens ages 13 to 18 are already more than $1,000 in the hole, including 22% of those 16 to 18.

Trouble with credit can be avoided if you teach your child about spending limits and help him develop the discipline needed to stick to them. Many adults have failed to understand these basic points. Instead, they just take out another credit card and never quite catch up to the balance due. As a result, interest payments take a significant bite out of the monthly budget. (See " Kids Say 'Charge It!' Granny Says 'Make Do.' ")

An allowance is a good way to introduce your child to money management. Consider starting with a token amount as soon as your child is old enough to understand the connection between money and purchases. Break the weekly allowance into bills and coins that will allow your child to place the cash in boxes, piggy banks or envelopes with labels such as "school," "clothes," "fun," "savings" and "church."

Some parents find it helpful for their child to keep a financial journal. It doesn't have to be fancy and can become more detailed as the child matures. Start out by listing the weekly allowance on one side of the page and expenses on the other side. Go over the entries with your child each week and discuss expenses. It's important to give your child the freedom to make mistakes--and don't come down too hard for obvious flubs. Each mistake can teach a lesson, and with your help, the child will get it right next time.

"Open a savings account and let your children learn to exercise their saving muscle," says Schwab-Pomerantz, who also serves as president of The Charles Schwab Foundation. "Create the habit of saving, and it will serve your child throughout life."

A piggy bank will do for a young child. When the child is older, open a savings account at a bank to teach about compound interest.

Help your child establish short- and long-term goals. Having your child kick in a portion of the price of a new bicycle is a good place to start, because your child will quickly see the benefit of saving. Long-term, tell your child that it's never too early to start saving for college. It's generally a good idea to have your child augment whatever you set aside in a 529 College Savings Plan. (See " Start Saving For College Now" and " Saving For Retirement vs. The Kid's College.")

Save the monthly bank statements. When your child is young, consider plotting the balance on a bar or dot graph to show progress.

When your child is older--perhaps in junior high school--consider opening an investment account. Parents will have to make the trades, but your student will learn the importance of diversification. Kids know about Coca-Cola (nyse: KO - news - people ), The Walt Disney Co. (nyse: DIS - news - people ) and McDonald's (nyse: MCD - news - people ), and an investment account will begin to teach them the business end of the famous brand names. With luck, the investment account will get your child reading about the economy and thinking about how Wal-Mart Stores (nyse: WMT - news - people ), Kroger (nyse: KR - news - people ) and Exxon Mobil (nyse: XOM - news - people ) serve their customers and make money.

Don't forget to teach your kid about philanthropy. Consider a donation to a church program, a privately run homeless shelter or a literacy program for disadvantaged children. (See " The 200 Largest Charities.")

Encourage part-time work when your child is in high school. Your student will quickly learn about discipline, taxes and the importance of showing up on time. A part-time job also teaches your student how to manage time by balancing school with work and fun. Think back to your own high school days--there's nothing quite like that first paycheck. (See " Better Budgeting For College Students.")

There are many financial Web sites that can introduce teens to the basics of personal finance, including those run by Charles Schwab, Lending Tree--a division of IAC/InterActiveCorp (nasdaq: IACI - news - people )--and major banks such as JP Morgan Chase (nyse: JPM - news - people ), Citigroup (nyse: C - news - people ) and Wells Fargo (nyse: WFC - news - people ).

You'll know that you've made a good start when your student expresses puzzlement and dismay at the way some classmates handle their money. (See " Back To School Finances 101.")

The Children's Tithe should be part of any child's financial literacy and education. Encourage your children to tithe at an early age. Tithing and saving should be an early habit and expectation.

Explain Trade-offs

Kids need to learn early that there's never enough money for everything. Start with the basics: If they buy a new video game, there won't be money to go to the water slide next week. Discuss the benefits of each choice, then let your child make the decision. Stick with it, or the lesson is lost.

Use Of Credit

When your child is a senior in high school or a freshman in college, co-sign for a credit card. Keep the credit limit low. Explain that credit is a short-term loan--not free money--that has to be paid in full each month to avoid a stiff interest payment. You've co-signed for the card, so make it clear that you'll monitor spending and payments.

Listen To Your Kids

Encourage your kids to ask questions about money management. Give honest, straightforward answers. Set a good example. Give your kid room to make mistakes, and don't come down too hard on flubs. Explain the mistake, and teach your child how to avoid it in the future.

 

You Work For Your Money

Make sure your kids understand the connection between your job and the money in your pocket. You don't have to tell them how much you earn, but they need to understand why you trek to the office five days a week. Don't forget to include the cost of their passions--dance lessons, baseball camp, school, clothes or photography.

 

How You're Paid

Tell your kids how you're paid--salary, commission or by the hour. Make sure they understand the differences of each method of payment. Next, tell them about federal, state and local taxes. Calculate the total tax bite: Explain that taxes take X% out of your paycheck each month, leaving $Y to cover the mortgage, other basics and savings.

 

Let Your Kids Handle Money

Giving your children an allowance is a good way to teach the basics of personal finance. As they get older, let them buy their own clothes and school supplies. Allow them to make mistakes. If they overspend and don't have money for a night out with friends, you've got to say, "Too bad, kiddo"--and stick to it.

Use Money Wisely

If you teach your kids the difference between needs and wants, they'll know more than many adults. You need to buy gas for the car, but you want a spiffier set of wheels. Kids should learn that the old clunker will get them to their destination safely, if not in high style.

 

Make A Budget

Show your kids how routine expenses like the mortgage, utilities, food, gasoline and insurance eat up a good chunk of your monthly income. Make sure they understand that earning a decent income doesn't mean you have a lot of extra money to play with each month.

 

Start A Savings Plan

Introduce your kids to the wonders of compound interest by opening a savings account at a bank. When they're young, use a portion of the savings for something special, such as a new bicycle. As they mature, shift the focus to bigger expenses, such as a trip to Europe and college tuition. They also should learn to save for a rainy day. To boost incentive, consider matching what they save dollar-for-dollar.

Use Concrete Examples

When your kids are old enough, have them open the monthly bills and tell you the amount as you write the check or pay online. If they're too young for the task, have them stick the stamp on the envelope and drop the bill in the mailbox. Explain that you're sending money to keep the lights on or to make the monthly payment on the house. Underscore the link between work and money.

Friday, April 28, 2006

Music Ministry Revival part80

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Music Ministry Revival part80

Music Ministry Teamwork and the Movement of God 

Music Ministry Revival is at hand! Music Ministry Revival is the stealth movement of God in the Music Cosmos. Music Ministry Revival will occur when the Music Ministry Teams manifest. Prophetically, their are individuals across the earth that waiting for the signal from the Holy Spirit. They will make 5-fold cell teams. These team made up of Ephesians4:11 (Amplified Bible) 11And His gifts were [varied; He Himself appointed and gave men to us] some to be apostles (special messengers), some prophets (inspired preachers and expounders), some evangelists (preachers of the Gospel, traveling missionaries), some pastors (shepherds of His flock) and teachers

The stealth team will come together at God's command. Their targets of interest will be major infrastructures of the Music Cosmos. The Music Ministry will no longer target the Music Cosmos personalities. Michael Jackson and Prince aren't the enemies.  The weaponry of the Music Ministry Revival are not carnal, but mighty to the pulling down of strongholds. Of this Music Ministry infrastructure of the Music Cosmos God says, Revelation 11:15 (Amplified Bible) The dominion (kingdom, sovereignty, rule) of the world has now come into the possession and become the kingdom of our Lord and of His Christ (the Messiah), and He shall reign forever and ever (for the eternities of the eternities)!

Music Ministry Teamwork is compulsory. The old configurations of teamwork aren't adequate to do present day spiritual warfare. The weapons are the same but the strategies will be different. 

Will you breath with me. Will you conspire with me. Music Ministry Conspire. Con=with......spire=Breath. Will you conspire with the person sitting to you in your church. The person next to you may be your divine connection to the the stealth movement of God in the Music Cosmos. Make an appointment to conspire and agree on the issues concerning the Music Cosmos. Amos 3:3 (Amplified Bible)3 Do two walk together except they make an appointment and have agreed? 

The Music Ministry parabolic iPod

Itelligence Program of Dejure (iPod): Is the  parabolic iPod the symbol of the spiritual Music Minstry cocoon and solipsism?  Itelligence Program of Dejure (iPod): iPod is the Music Ministry fad of the day. Is the purpose of the (iPod ) parabolic Itelligence Program of Dejure  anti Music Ministry teamwork? Does it take your eyes off God and the Music Cosmos? Ian Kerr, a man who organizes  conferences and generally fizzes with ideas, notes that a principal in a private school in Australia has banned pupils from using iPods because he believes that “iPod-toting children were isolating themselves into a cocoon of solipsism.” (solipsism-a theory holding that the self can know nothing but its own modifications and that the self is the only existent thing). Is the Itelligence Program of Dejure (iPod) the enemy of Music Ministry teamwork?

Their is a counter Music Cosmos intelligence program. This conspiracy is centered on deafening your ears and blinding your eyes. You don't have to listen or interact with the neighbor Music Ministry or Music Cosmos. You simply turn up the volume on your iPod. The enemy will provide a conspiracy called the (diversionary) iPod. Will the parabolic Project iPod  stop you from hearing the deafening cry of the Music Cosmos. Will Project  iPod deceive the Music Ministry by filling  CD, DVD projects with music about the  Music Ministry? The  iPod is the technological device dejure.  So the Music Ministry will fill parabolically their  iPod with praise and worship music. Will these  parabolically sound of praise rap music, urban gospel, blue grass, and contemporary Christian rock music drown out the sounds of "justice, love, mercy, hungry". Luke 4:18The Spirit of the Lord [is] upon Me, because He has anointed Me [the Anointed One, the Messiah] to preach the good news (the Gospel) to the poor; He has sent Me to announce release to the captives and recovery of sight to the blind, to send forth as delivered those who are oppressed [who are downtrodden, bruised, crushed, and broken down by calamity],   19To proclaim the accepted and acceptable year of the Lord [the day when salvation and the free favors of God profusely abound.

Teamwork and the Movement of God

The Music Ministry Revival will sink or swim based on its teamwork. Could teamwork among the Music Ministry solve:

  • The music Ministry assignment The Music Cosmos

  • World Hunger

  • A common agenda for Music Ministry Convention-leaders

  • Lower the increasing divorce rate among Music Ministry couples in their 40s, 50s, 60s and even the 70s

  • Music Ministry and AIDS and drug dependency

  • Control, Distribute , Produce CD for the general Music Ministry

  • Sexism, classism, racism in the Music Ministry

  • Affordable Senior Housing for the Music Ministry

  • Music Ministry pension funds

  • Retooling the the Music Ministry from Industrial Pipe Organ, organic Piano to electronic instruments

  • Institute Remedial music education program for the Music Ministry

  • Updating resume service for the Music Ministry who is out of work

  • Redeem rap music into Christ-centric rap Music

  •  

 

Tears shed over answered prayers

There are more tears shed over answered prayers than over unanswered prayers. Can I pray that God make (unanswered prayers) you strong enough to endure, independent of external circumstances, sufficient for one's self, for the life of sacrifice that God calls you?

Their are wages to be paid for your prayers. Oh, I wish I could have warned  the nations (people) that contemplate war, divorce, poverty, murder, slavery, unrighteousness, lawlessness. The wages for some answered prayers (sin)  is prohibitive. Righteous exalts a nation but war, divorce, poverty, murder, slavery, unrighteousness, lawlessness is a reproach. ''More tears are shed over answered prayers than those God chooses to ignore.''

A little girl, dressed in her Sunday best, was running to church as fast as she could, trying not to be late for Bible class. As she ran she prayed, "Dear Lord, please don't let me be late! Dear Lord, please don't let me be late!"  While she was running and praying, she tripped on a curb and fell, getting her clothes dirty and tearing her dress. She got up, brushed herself off, and started running again. As she ran she once again began to pray, "Dear Lord, please don't let me be late! But please don't shove me either!"

The truth is, I wish I would have prayed to God to reveal the consequences of 90% of my answered prayers. I wish, I were just (strong enough) resolved to be content in some of the former circumstances. Content: aujtavrkhß, Autarkes, ow-tar'-kace   sufficient for one's self, strong enough or processing enough to need no aid or support , independent of external circumstances ,contented with one's lot, with one's means, though the slenderest .

There are more tears shed over answered prayers than over unanswered prayers. Most of us will experience answered prayer. However, we are seldom ready to shoulder the responsibility and consequences of the answered prayer. Every answered prayer has a set of responsibilities and consequences attached to it. Envy will cause you to ask for things that will rival your present condition and circumstance. Pride, unbelief, vain hankering after something we have not got, and fickle disrelish of present things, make men discontented even under favourable circumstances.

Our prayers may be manipulative, puppeteering , the laundry list mentality ,labeling and name-calling , comparing ,using God to your advantage ,getting God to back your plan

Remember, God is not mocked; what ever you sow in prayer (secretly and in the open) that will you also reap. It is easy to forget Millionaire’s may reap and countenance bankruptcy, the employed may face being fired, former barren parents face possibility of wayward children, and opulent living may be reduced down to a life of poverty, single people may experience a life married to the wrong person, your loving disposition may be burdened with a relationship that draws all of the love in you, your gross earning (prosperity) may be siphoned by family beggars and pimps.

Prophetically, (Faith will answer prayer.) answered prayer has a realm of obedience, responsibilities, and consequences that may bring you to a deeper level of sorrow and pain. Our prayers may be amiss. It may be that we pray out of our delusions, pain, and greed.

Let us pray for patient submission and hope when we are abased; for humility and a heavenly mind when exalted. It is aspecial grace to have an equal temper of mind always. And in a low state not to lose our comfort in God, nor distrust his providence, nor take any wrong course for our own supply. In a prosperous condition not to be proud, or secure, or worldly. This is a harder lesson than the other; for the temptations of fulness and prosperity are more than those of affliction and want. Philippians 4:11  (Amplified Bible) 11Not that I am implying that I was in any personal want, for I have learned how to be content (satisfied to the point where I am not disturbed or disquieted) in whatever state I am.

God will answer the secret prayer of your soul. There are more tears shed over answered prayers than over unanswered prayers. Can you, your children, family, church, neighborhood, nation live with it’s consequences?

There are more tears shed over answered prayers than over unanswered prayers. Can I pray that God make (unanswered prayers) you strong enough to endure, independent of external circumstances, sufficient for one's self, for the life of sacrifice God call you?

''More tears are shed over answered prayers than those God chooses to ignore.''

Their are consequences and responsibilities that result in Gods answered prayer. Luke 14:28 For which of you, intending to build a tower, sitteth not down first, and counteth the cost, whether he have sufficient to finish it?

“Sow a thought, reap a deed; Sow a deed, reap a habit; Sow a habit, reap a character; Sow a character, reap a destiny." It is awe inspiring to conceive of a sovereign God that has time to answer mortal man. Isaiah 65:24 And it shall come to pass, that before they call, I will answer; and while they are yet speaking, I will hear.

There are more tears shed over answered prayers than over unanswered prayers.

Pray!

Thy Kingdom Come, Thy Will be Done...  on earth as it is in heaven

Thursday, April 27, 2006

Wednesday, April 26, 2006

Donald Lawrence and the Tri-City Singers,


Donald Lawrence

After the Finale
by LaTonya Taylor
posted 04/17/06

The latest album from Donald Lawrence and the Tri-City Singers, Finale, recognizes the end of the choir's award-studded 15-year career. With hits like "Stranger," "When the Saints Go to Worship," "Never Seen the Righteous," and "I Am God," the Tri-City Singers emerged as standard-bearers of the mass choir tradition. Tri-City not only held their own when it came to traditional gospel, but they also blended Lawrence's classical choral influences and R&B impulses with the genre, adding touches of aural and visual dramatic flair for good measure. Lawrence spoke to Christian Music Today about how Tri-City came to prominence, the group's legacy and his hopes for the future.

Talk about the decision to end things with the Tri-City Singers.

Donald Lawrence: The cliché is that all good things come to an end, and I think it's better to end at a time when things are at a good place, as opposed to a declining place. We're all growing older, and now many of the members of the choir have their own musical aspirations. Everyone's been very loyal to the choir—in fact, there are a couple of groups and artists who developed through the choir—and it's just the time for everybody to transition into their other careers.

The Tri-City Singers have never had an influx of new people, or a lot of turnover. It's always been all of us or none of us. Now that many of us are moving on, I preferred that we just come together, and, like the Bible says, "they sang their hymn and went home," rather than just turning the remaining members into a brand-new choir. Also, business-wise, it's expensive to travel with choirs, and they're definitely not a low-maintenance choir (chuckle).

It seems like we're in a period where the era of the big mass choir is in decline.

Lawrence: I think choir music is going to be around forever. As a recording artist, I think [the industry] should always record choir songs, but those songs will be mostly on albums as opposed to live performances. Radio-wise, they'll play it to death. It's just that the climate is not right for traveling a choir, moving them around and branding them.

When it comes to live performances, when you can get J Moss by himself, or Mary Mary or Kurt Carr or Martha Munizzi—and some background singers—nobody wants to fly 30 people or 40 people around. People still ask for Tri-City to perform, but sometimes they'll ask me if I can come with six people. My thought is, that's not the Tri-City Singers. That's Donald Lawrence and Company. Tri-City Singers is 30 singers. So, doing a record with 30 singers but traveling with seven people doesn't really make sense to me. But more than anything, I just think that spiritually it's just time for us to transition, time for everybody to get ready to do their thing. That's the number one reason.

You've talked about the end of the Tri-City Singers. How'd things get started?

Lawrence: My time with the Singers actually started while I was on the road. I graduated from Cincinnati Conservatory of Music and toured with Stephanie Mills as her music director. I wrote a lot of choir songs and recorded them on tapes. At that time, a friend of mine directed a community choir called the Tri-City Singers. He was always looking for songs to teach the group, and they sang some of my songs. I knew that I wanted to release a choir album—to do something with all of this music I'd been writing that other artists were interested in. I always told myself that when I got to do a choir album, I wanted to record it with them. My friend left the choir around the same time I was looking to make my own transition and get serious about recording my music.

Donald Lawrence
The Tri-City sopranos, modeling the gospel choir's distinctive neo-soul fashion.

During that time, the Singers were more of a traditional choir, with robes. They always sang really, really well. I don't know if they were very commercial, but they were always a great group. At that time, they only had 13 or 14 members. I sat with the choir's general manager, Vanessa Durrah, and shared my plan to really establish the group, to rebirth it. I brought in about 15 singers I'd grown up with, and added them to the group. I also wanted us to have a look and a style of our own—to brand ourselves [as different] among the other choirs out there. That's how I came up with the whole ethnic, kind of neo-soul, kind of African look that would be distinctive and fashion-forward—a look to go along with the music. I just kind of came up with that idea, along with the sound, and I wrote the songs, and here we are, 15 years later.

It seems like many Tri-City songs focus on personal encouragement, on looking forward, on reassurance and the character of God. How did those issues become important to you?

Lawrence: That's just who I am. I think Donald Lawrence is a healer; I heal people. I help them look forward and realize that no situation is forever—that it can always get better, that we're destined to be great, because that's why Jesus died for us. He took on poverty, sickness and death so that we wouldn't have it. That's the whole mission of Jesus Christ.

Can you tell a story about a time in your life when that became real to you?

Lawrence: I have plenty of them. I've been in several situations where I've felt alone—I'm out here on this cliff, God, I'm either going to fall and die, or you're going to have to pick me up and give me the energy to move forward. The hardest thing in the world is to struggle through times when you feel like everything is going haywire, yet as an artist you have to encourage people. You have to give people hope when you don't have any. I've just seen God come through for me so many times in that type of situation. He always shows his face, and he shows up in the most impossible of situations.

On the album, you say that gospel was at its best in the 1980s.

Lawrence: That's my favorite time of gospel. I'm not going to say it was at its best, it's just my favorite era. That's because I like the songwriting of that time, I like the heart of the way the music felt. I don't take anything away from our era, but we build on that. So, a lot of times, when you hear us, you do hear a little bit of Thomas Whitfield, and you do hear a little bit of the Thompson Community Choir, and you hear a little of Andrae Crouch, and a little bit of Walter Hawkins, and a little bit of Twinkie Clark. So I definitely pay homage to that ear of writers and producers.

You mention that back then, you really had to sing in a live performance.

Lawrence: No gadgets.

Could you talk about that?

Lawrence: Nowadays, if your live performance involves a lot of moving and dancing, you can sing along with a 1680 [a multi-track recorder] using pre-taped vocals, and have it sound just great. That way you can kind of sing—and kind of not. In the '80s, you either had to do it, or you didn't. There were no pre-taped vocals.

My training is in musical theater, where you learn not to let the dancing interfere with your vocal quality. I'm all for 21st century technology, though. In our earlier days, when Tri-City would go into the studio, I loved to experiment with different sounds. Sometimes we'd sing the same song several ways. Sometimes we'd sing eight passes in the studio, sing all of those songs, all the way through, eight times. Now, you can sing one section eight times, and repeat it through the rest of the song.

But back then, with no gadgets, you just had to stand flat-footed and do it. On Finale, we sing Matthew 28, where you can't use pre-taped vocals because of the way the song is written. That's why I say we're taking it back to the '80s. We had to sing that song all the way through. No gadgets.

Who pushes you to the next level and inspires you?

Donald Lawrence
A praise-filled finale for the 15-year career of Donald Lawrence and the Tri-City Singers.

Lawrence: The people who've inspired me, on the gospel side, were definitely Walter and Edwin Hawkins, and Andrae Crouch, who is definitely one of my favorite songwriters. Also, Richard Smallwood and Twinkie Clark, and I've been strongly influenced by [the late] Thomas Whitfield. One of the great things about this journey is that I didn't know these people early on, when I started. I knew of them, but now we really have grown to be good friends. I've worked with Richard, Edwin, Walter and Twinkie. I've worked with Andrae. I'm really proud to say that we are friends. We stand on each others' shoulders.

You teach at Chicago's Columbia College now. Talk a little bit about your work there.

Lawrence: I teach a class called Urban Inspirational Music. It's a fuse of R&B, hip-hop and gospel. I teach about production and business. I'm trying to help mold the next wave of industry professionals so they understand the basics: publishing, contracts and distribution, anything from getting your business started to understanding how bar codes and Nielsen SoundScan work. Helping people who want to do this become more well rounded rather than just talented.

Are you working on anything else?

Lawrence: I'm also developing my own label imprint, Quiet Water Entertainment, through the Zomba Label Group. I've signed two of the Tri-City Singers, the Murrills, as well as Dewayne Woods. My long-range goal is to develop it into a management company and to do publishing. I'd like to grow as an executive. And I'd love to get back into theater. Theater's the thing that I love and am most passionate about. I'm kind of nonchalant, laid-back, but if you see me in a theatrical mode, that's when you see the light and the fire in my eyes. I've always wanted to do something on Broadway

What do you see as the legacy of the Tri-City Singers?

Lawrence: That we encouraged. That we always came out to help people to get through life. That's what my music does.

Copyright © Christian Music Today. Click for reprint information.


Martha Becomes a Mary

Martha Munizzi
Martha Becomes a Mary
by Andree Farias
posted 04/17/06

For someone who never had aspirations to be a celebrity, praise and worship artist Martha Munizzi ain't doing so bad. She's recorded at Joel Osteen's church, is friends with Israel Houghton, had a cameo in the movie The Gospel, sold hundreds of thousands of albums, and won Best New Artist at the Stellar Awards, a first for a non-African American—all as an independent artist. But as an indie, the busy-ness of running the business was overwhelming. She was, like Scripture's Martha, "distracted" by it all, so she signed with a label (Integrity Music) to free up more time to be, as she says, "Spirit-led." Martha became a Mary, listening at Jesus' feet. The first tangible result of that change is No Limits Live, a double CD that she'd intended to be a single album—till God told her otherwise. Here, Munizzi shares about signing with a label, the pressure to deliver another hit, and the tension she feels about being a gospel sensation.

Before your current album, No Limits Live, you were thriving as an independent artist. Why get involved with a record label?

Martha Munizzi: We thought we had gone as far as we could go [independently]. It was becoming more than we could handle, the business and the busyness of it. We got advice from several different people that are very wise and way down the road from us. It probably took us two years to make a decision. We thought, well, if we're going to do this [independently], we're going to have to really set it up like a record company. That means we're going to have to hire people. To go where this was automatically going on its own, you can't do that with a one-person staff. You have to create a whole system.

That's great for some, but for us, I just want to be able to get in the car and go to the beach with the kids, to have that freedom. I didn't want to this to control my life. I wanted to control it. I want to be in charge. And to be able to be Spirit-led. If you're so overrun with the issues of the business, it's a lot more difficult to be Spirit-led sometimes.

Several other labels approached us, and it always was, "No, we're already doing it. We don't need you to do it for us." So we sat with Integrity [Music] and [executive vice president] Don Moen said to me, "You don't really need us, but we would love to be a part of your ministry." And that's what I was waiting for somebody to say. Not for somebody to say, "We want to make you more successful." But for somebody to say, "We want to help you with your ministry. We want to help you expand your ministry as far as it could go." And that captured my heart.

Has the load gotten lighter now that they're handling the business side of things?

Munizzi: In some ways it has. They've done a lot of things for us. Sony [Integrity's mainstream partner] has also been so instrumental about making us more visible in stores. It's like choosing to ride a car or a bullet train to get to where we're heading. And I'm not getting any younger—I'm 38. it would just take us a lot longer to do that on our own.

You said things were getting out of hand as an independent. Did the business side of things affect your ability to minister?

Munizzi: There were moments like that. But I'm not a business person. My husband is that. He is the administrator. That's his gift and anointing; that's where he ministers. For me, I just say, "You've got this. I'm going to go write a song. I'm going to pray a little bit. I'm going to go spend some time with the kids." So it's not hard for me to walk away. But I'm a visionary, too. I think I can see what's coming, and if we don't change it now, it really will be overwhelming.

Given the success of your independent albums, did you feel pressure or expectations of others to deliver another "hit"?

Munizzi: Of course. Who wouldn't feel that? I've probably felt it for the last two years, before I even started to think about the record. I really had to fight that man-pleasing spirit. And there's a balance to that because you want to please everybody, you want them to love what you do. Especially with the success of The Best Is Yet to Come, which was a God thing. It wasn't anybody trying to make a hit record. We didn't have a clue. We didn't have anything to judge it by. We didn't have anything to lose.

For the new album, we went in with every thought of making it a one-CD. And I said, "I'm not going to make two CDs. I hate two CDs. It's too much music." But this one kinda got away from us. The night we recorded it, I said, "I refuse to try to compete with God. He's just going to have to [make it happen]." When you flow with that, when you begin to create in that mentality, you lose something. So I decided to lean on the Lord [for him] to give me the songs.

So you made a double CD.

Munizzi: It ended up being what it is. At the end of the day, it was my decision and my husband's decision. But it came with many people listening to the record—family members, friends, people that were there that night, pastors, producers—everybody found a moment that they love. But more than that, it was very difficult logistically to bring it down. We would've lost so much. It would've been so choppy. For The Best Is Yet to Come, every song we wrote went on that record. No extra songs, not one. With the new one, I had so much in me, so many songs that I'd written. I said, "Let's record them all and then we'll chop them down." But we didn't want to leave anything out.

Some of the stuff you didn't leave out were the moments of preaching and exhortation. Are you afraid those moments may lose their impact after repeated listens?

Munizzi: They probably will, for some people. Other people will go, "That's the moment where I got delivered." Or, "That's the moment where I got a revelation, the moment I got set free." People in the gospel community love strong preaching and exhortation. But in other [traditions], it would get on their nerves, and I understand that.

You're a praise and worship artist, yet the first song on your new album, "No Limits," isn't a song to God. It's a song to the people. How does worship play into that?

Munizzi: That's a great question, and I have the answer. I heard the song from a friend of mine, Derrick Thomas, who wrote it for his church. There was justsomething about it; this is a message that needs to get to the people. Praise and worship has a process to get to the people. It starts from the outer court. We're in the outer court. Many times, people can't even move forward until they feel better. Singing stirs up your spirit.

The song says, "Nothing is impossible with God." You're singing Scripture. You're building yourself up to be able to move into another realm. Songs that are about me aren't my favorite types of songs. But in 20 years of leading praise and worship, I've learned that most people, coming in from the outside, they're dry. They come in after being pushed down. They need to feel like everything they believe in God for is possible. And then we begin to move in; from then on, the whole focus is vertical.

So its placement on the album is purely intentional.

Munizzi: Oh, yeah. And then again, "No Limits" is a song that I feel is going to go into places that [other worship songs] won't go at this point. I think it's a song that God's going to use. That's what the Lord showed me: "Put it on the record and I'm going to use it in ways you can't." We have to see the bigger picture. We're trying to move outside the four walls to seek and save the lost. I'm not trying to be a celebrity—I don't care anything about that. I'm trying to do something that makes Jesus famous.

When you first started, you chose to sing gospel music instead of contemporary Christian music. Why?

Munizzi: In the very beginning, we thought our music fit better in gospel. We didn't do it thinking any of this [success] was going to happen. We just thought our music was going to fit gospel music way better than CCM. It wasn't really anything we discussed or had dreams and visions about. We were music directors for many years and our church was very multicultural. Our choir was almost all black or Latin. Our heart is gospel music—we love R&B, Fred Hammond—that's what we were drawn to.

You've become something of a superstar in gospel music. You won a Stellar award for Best New Artist. How do you assimilate that, not being an African American?

Munizzi: Honestly, I don't go around saying, "I can't believe I won this award!"

People make a big deal out of it.

Munizzi: They do make a big deal out of it. To me, it's a big deal. And the longer I'm in this business, I realize it is a big deal. It's humbling. But when I think about all the people that could've been nominated and won …

I did by no means of my own. The gospel music community not only accepted me—because you can be accepted and then ignored—but they celebrated me. They loved what I do.

As a worship artist, does it feel strange to receive all these praises and accolades?

Munizzi: I think I was prepared for it because I've been in front of people my whole life. People just appreciate the anointing. I know that when I have a bad night and my voice is terrible, people walk up and go, "That was great!" And I know that's not even me. It's him. I'm not caught up in all of this. I feel really uncomfortable with the accolades. It's such a weird thing—talking about yourself and doing interviews like this, when really I'd rather not have to deal with this. I don't want to talk about anything that puffs me up.

© Andree Farias, subject to licensing agreement with Christianity

5 out of 6 Americans Agree: I Can Grow Spiritually WITHOUT the Church

Survey results: Church not important for spiritual growth, Americans say By Hannah Elliott Published April 21, 2006

5 out of 6 Americans Agree: I Can Grow Spiritually WITHOUT the Church

” evangelical researcher George Barna said in the report. “Americans are willing to expend some energy in religious activities such as attending church and reading the Bible, and they are willing to throw some money in the offering basket, but when it comes time to truly establishing their priorities and making a tangible commitment to knowing and loving God, most people stop short." Less than 20 percent of American adults believe participation in a congregation is critical to spiritual growth, and just as few agree that only through participation in a faith community will they reach their full potential, the Barna Research Group reported April 18.

Based on interviews with 1,003 adults from across the nation, the telephone surveys also found that as few as 17 percent of adults said “a person’s faith is meant to be developed mainly by involvement in a local church.” What’s more, only one-third of all evangelicals -- the group most likely to attend church -- endorsed the concept.

And while 72 percent of Americans claim they have personally committed themselves to Jesus Christ, less than 50 percent attend religious services on a weekly basis.

1.  The world, even when they are searching and longing for spiritual growth, isn't even looking to the church as a possibility for that growth.  Four out of five (according to this survey) don't view the church as a valuable source for spiritual growth.  The church has lost it's salt.  Quite frankly, 80% just don't believe the church (as they know it) to be valuable to them in any way other than weddings and funerals.

2.  The church (those who attend church as a whole) has a diminished view of what being a part of the church can/will do for them.  A growing percentage of those still involved in the church disagree that being a part of the church can help them reach their full spiritual potential. This matches other studies that show an increasing percentage of Christians who feel they are spiritual fit while not involved in any local church.

 

Sparrow He is your Habitation

Sparrow He is your Habitation

Psalm 102:7 (Amplified Bible) 7 I am sleepless and lie awake [mourning], like a bereaved sparrow alone on the housetop.  His Eye is on the sparrow and I know he watches me. God's presence is your habitation. It is better to be serving God in solitude than serving sin with a multitude. Like the sparrow, followers of Christ endure a life of solitude. Some of you are questioning your value in the community. Your soul searches for rest and habitation. Sparrows provide habitations for themselves in houses, as other birds do in the woods, for their own repose and in which to lay their young. Psalm 102:7 (Amplified Bible) 7 I am sleepless and lie awake [mourning], like a bereaved sparrow alone on the housetop.  David supposes there were birds in the buildings about the courts of God’s house, and wishes himself with them. He would rather live in a bird’s nest nigh God’s altars than in a palace at a distance from them.

You are worth more a penny. "Are not two sparrows sold for a penny? and not one of them shall fall on the ground without your Father." This is a reference to the common custom in the East of catching small birds, and selling them to be skinned, roasted and sold as tid-bits--a bird to a mouthful. These lines no doubt are the origin of the oft-quoted phrase, "He marks the fall of the sparrow." Then in verse 31 comes this comforting assurance: "Fear not therefore: ye are of more value than many sparrows." Luke 12:6: "Are not five sparrows sold for two pence? and not one of them is forgotten in the sight of God." This affirms the implication of Mark that these tiny birds were an article of commerce in the days of Jesus, just as they are now in the Far East.

Reverence. Temple builder had reverence for any bird that built on a temple, because he thought it meant that the bird thus building claimed the protection of God in so doing. For these reasons all temple builders were so reverenced that authentic instances are given of people being put to death, if they disturbed temple nests or builders their is reverence and awe for any bird that nestles in the house of the Lord. Dr. Thompson, in speaking of the great numbers of the house-sparrows and field-sparrows in troublesome and impertinent generation, and nestle just where you do not want them. They stop your stove-- and water-pipes with their rubbish, build in the windows and under the beams of the roof, and would stuff your hat full of stubble in half a day if they found it hanging in a place to suit them."

Sparrows sing in the Temple. the harmony they had singing-birds in cages hung about the courts of the tabernacle (for we find the singing of birds taken notice of to the glory of God, Ps. 104:12), and David envies the happiness of these, and would gladly change places with them. Observe, David envies the happiness not of those birds that flew over the altars, and had only a transient view of God’s courts, but of those that had nests for themselves there.

Solitude. The reason he said he was like a "sparrow that is alone upon the housetop" was because it is the most unusual thing in the world for a sparrow to sit mourning alone, and therefore it attracted attention and made a forceful comparison. It only happens when the bird's mate has been killed or its nest and young destroyed, and this most cheerful of birds sitting solitary and dejected made a deep impression on the Psalmist who, when his hour of trouble came, said he was like the mourning sparrow--alone on the housetop. Another exquisite song describes the bird in its secure and happy hour:

Saturday, April 22, 2006

Southern Baptist and a Methodist Share (Mega Teamwork) Ministry

Southern Baptist and a Methodist Share (Mega Teamwork) Ministry

April 14, 2006, 3:40PM

Together for Easter
Celebrity singers. A 600-strong choir. More than 100 dancers. Two very different megachurches join to celebrate the resurrection. QUOTE OF THE WEEK
"If this were about Second Baptist and Windsor Village only, I wouldn't do it. This is about bringing men and women, boys and girls under one roof to celebrate the resurrection of our Lord and Savior Jesus Christ and then encouraging those persons who decide to develop a personal relationship with Jesus to go to the church of their choice." (Kirbyjon Caldwell, pastor of Windor Village United Methodist Church on joining forces with Houston's Second Baptist Church for Easter services this year)

By RICHARD VARA
Copyright 2006 Houston Chronicle

It's not about the bunny.

That's what the Rev. Ed Young of Second Baptist Church tells a distraught Easter Rabbit during a 30-second TV commercial for the largest Easter service planned this weekend in Houston.

The large bunny — upset because Easter is taking on religious overtones — is seen defacing Young's picture on a billboard advertising Resurrection Day at Minute Maid Park.

Young and the Rev. Kirbyjon Caldwell of Windsor Village United Methodist Church hope to fill the baseball stadium's 42,000 seats Sunday morning for an interracial, interdenominational worship service featuring Grammy-winning gospel singer CeCe Winans, country star Clay Walker and inspirational singer/preacher Wintley Phipps.

Young and Caldwell, the nationally known pastors of two of the city's biggest churches, will be joined by 600-plus voices from their combined choirs, a 50-piece orchestra and more than 100 energetic praise dancers.

''It will be something people will always remember, an experience like Woodstock," Darrell W. Johnson, director of instrumental music for Windsor Village, said of the day's musical impact. ''They will feel what we are doing."

Young, whose church has a membership roll of 42,000, describes the service as ''the celebration of the resurrection of Jesus Christ as well as an outreach to the people of Houston to come to know Christ."

Such mega-assemblies are "the cultural direction for churches," said Lynn Mitchell, resident scholar of religion at the University of Houston. "It's a national trend."

Megachurches are producing meetings that attract seekers and young people who like both the anonymity and the spectacular productions, he said.

Although there are people who still prefer small churches with small communal worship, "people are more and more attracted to these big movements," Mitchell said.

"They don't want to go to anything that looks like a church, feels like a church," said Mitchell, who is pastor at Houston Heights Church of Christ. "They want it to be exciting, emotionally involving and they want the productions to be professional, which these megachurches can do."

Young, whose church has a membership roll of 42,000, most of them white, describes the service as "the celebration of the resurrection of Jesus Christ as well as an outreach to the people of Houston to come to know Christ."

'History-making moment'

Members of both churches have been encouraged to invite not only family and friends but also those who don't attend either church or any church.

"If this were about Second Baptist and Windsor Village only, I wouldn't do it," said Caldwell, who pastors the largest United Methodist Church in the nation with more than 15,000 members, most of them black.

"This is about bringing men and women, boys and girls under one roof to celebrate the resurrection of our lord and savior Jesus Christ and then encouraging those persons who decide to develop a personal relationship with Jesus to go to the church of their choice," Caldwell said.

It will also be "a history-making moment," Caldwell said of the stadium gathering of the predominantly white and black megachurches. But the event transcends racial and denominational lines.

"We are excited because we have a venue for persons of all backgrounds to participate and celebrate and do so in a comfortable environment," Caldwell said.

In addition to an hourlong concert preceding the 10 a.m. service, both pastors will preach and then issue an altar call, an invitation to non-Christians to accept Christ.

"It is very evangelistic," said the Rev. Gary Moore, spokesman for Second Baptist. Staff members will follow up with any new Christians by contacting them and inviting them to attend church.

But can such an event work effectively as outreach?

Lakewood did it twice

Lakewood Church held two Easter services at Minute Maid before moving into the former Compaq Center. Spokesman Don Iloff said that it was difficult to determine if Lakewood's membership grew as a result. Both services attracted about 40,000 people, he said.

"It is hard to know what variables contributed to growth aside from (Pastor Joel Osteen)," Iloff said, noting that attendance boomed after Lakewood moved to the Compaq Center. "We added 10,000 people a week just from the move from our northeast Houston location to where we are now."

Weekly Lakewood attendance now averages between 35,000 and 40,000 over several services and the crowds are expected to dramatically increase on Easter, as they do at almost all churches nationwide. That's why Lakewood did not opt for a third Easter at the baseball park.

"Minute Maid won't hold all the people," Iloff said. "We can seat more people where we are."

Young said he was invited by Drayton McLane, owner of the Houston Astros and a Southern Baptist layman, to stage Easter at Minute Maid. Young then proposed a joint service to his longtime friend Caldwell.

They will share the preaching duties. Young will present the "forensic evidence" for the resurrection of Christ. "(The Apostle) Paul said if the resurrection is not true, then we are all fools," Young said.

Caldwell will follow with "the practical power of Jesus Christ, his willingness and ability to transform our lives."

One of the benefits of the joint service is the cross-racial, cross-town connection between the megachurches.

Second Baptist Music Minister Eddie Struble said planning the service with Windsor Village counterpart Kathy Taylor-Brown turned out to be a great deal of fun. They came up with several hymns and songs melding the exuberant gospel style of Windsor Village with the traditional and contemporary beats of Second Baptist.

"We tried to make sure there was something familiar to everyone on both sides of the congregation," Struble said.

Windsor choir and dance members rehearsed at Second's home west of Memorial Park, and Second Baptist's choir visited Windsor in southwest Houston. It was the first time most had visited each other's church.

"Normally when you meet someone for the first time, you are a little apprehensive," said Tonya Foreman, director of Windsor's praise dancers. "Everyone was loving and wonderful because we know we are going to do a mighty thing on Resurrection Sunday.

"There were no barriers, no cultural barrier, no racial barriers. We were all one church, all loving God."

richard.vara@chron.com

HoustonChronicle.com -- http://www.HoustonChronicle.com | Section: Life

 

The Four Dimensions of Leadership

The Four Dimensions of Leadership

 

So what does it mean to lead like Jesus on a daily basis? Blanchard says there are four dimensions: Heart, Head, Hand and Habits.

After studying both the theory and practice of leadership for more than 35 years, I have found that Jesus is the greatest leadership role model of all time," says Ken Blanchard, co-author of The One-Minute Manager and co-founder of The Center for FaithWalk Leadership. A prominent, gregarious author, speaker and business consultant, Blanchard is characterized by friends, colleagues and clients as one of the most insightful, powerful and compassionate men in business today.

                   

The Heart dimension involves leadership intentions. “Every day,” says Blanchard, “I have to recalibrate my intention to serve rather than to be served. That’s very important, because there are things driving you every day to be focused on yourself, rather than on the mission and the people that you are working with.”

 

 

The Head means to think like a Jesus leader. “Leadership is about going somewhere. It’s really having a clear sense of purpose of what your business is, your picture of the future and your values, and what your goals are,” Blanchard explains. Once you are clear, he says, the second part of leadership is implementation –getting people to live according to the purpose and goals. When you are talking about vision and direction, the head of the department and the president – the traditional hierarchy – must make sure everyone knows where they are going. But when you get to implementation, says Blanchard, you have to turn the  traditional pyramid upside down so that the people who are on top of the organization now are on the bottom as cheerleaders, supporters and encouragers – and that’s where servant leadership behavior kicks in.

 

The next dimension involves the Hands – or behavior. “What it really means is that you help people win through performance planning, day-to-day coaching and then performance evaluation,” Blanchard says. “The problem with most organizations is that everybody emphasizes evaluation and they don’t spend any time on planning and coaching. Planning is giving people the final exam ahead of time. Then day-to-day coaching is teaching them the answers. You’re really there as the coach/supporter and helper of people accomplishing goals.”

 

Finally, in Habits, the way you are going to stay steady as a servant leader is to make sure you enter your day slowly with some solitude, with some prayer, with some study of Scripture – things to remind you about who you want to be in the world, says Blanchard. “Everyday, I try to make sure I get up an hour before I have to do anything so I can center myself in who I want to be. I want to remind myself I am there to serve, not to be served. I need to make sure the people I work with know where we are going so I can help them get there, so I can cheer them on.”

Don't cry because it's over, smile because it happened! : John 3:16

Don't cry because it's over, smile because it happened! : John 3:16

  Don't cry because it's over, smile because it happened! : John 3:16
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  A little boy was selling newspapers on the corner, the people were  in and out of the cold. The little boy was so cold that he wasn't  trying to sell many papers. He walked up to a policeman and said   "Mister, you wouldn't happen to know where a poor boy could find a warm place to sleep tonight would you? You see, I sleep in a box up around  the corner there and down the alley and it's awful cold in there for   tonight. Sure would be nice to have a warm place to stay."   The policeman looked down at the little boy and said, "you go down the  street to that big white house and you knock on the door. When they  come out the door you just say John 3:16, and they will let you in." So he did. He walked up the steps and knocked on the door, and a lady  answered. He looked up and said, "John 3:16." The lady said, "Come on  in, Son." She took him in and she sat him down in a split bottom rocker
  in front of a great big fireplace, and she went off. The boy sat  there for a while and thought to himself: John 3:16...I don't understand it, but it sure makes a cold boy warm.
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  Later she came back and asked him "Are you hungry?" He said,  "Well, just a little. I haven't eaten in a couple of days, and I guess I  could stand a little bit of food," The lady took him in the kitchen and sat   him down to a table full of wonderful food. He ate and ate until he couldn't eat any more. Then he thought to himself: John 3:16...Boy, I sure don't understand it but it sure makes a hungry boy full. 
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  She took him upstairs to a bathroom to a huge bathtub filled with warm  water, and he sat there and soaked for a while. As he soaked, he thought  to himself: John 3:16... I sure don't understand it, but it sure makes a dirty boy clean. You know, I've not had a bath, a real bath, in my whole life. The  only bath I ever had was when I stood in front of that big fire hydrant as they  flushed it out. The lady came in and got him. She took him to a room,  tucked him into a big old feather bed, pulled the covers up around his neck, kissed him goodnight  and turned out the lights. As he lay in the darkness and looked out he window at the snow coming down on that cold night, he thought to himself: John 3:16...I  don't understand it but it sure makes a tired boy rested.
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  The next morning the lady came back up and took him down again to that same big table full of food. After he ate, she took him back to that same
 big old split bottom rocker in front of the fireplace and picked up a big  Bible.  She sat down in front of him and looked into his young face. "Do you understand  John 3:16?" she asked gently. He replied, "No, Ma'am, I don't. The first time I ever heard it was last night when the policeman told me to use it,"  She opened the Bible to John 3:16 and began to explain to him about Jesus. Right there, in front of  that big old fireplace, he gave his heart and life to Jesus. He sat there and thought: John 3:16....don't understand it, but it sure makes a lost boy feel safe.
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  You know, I have to confess I don't understand it either, how God  was willing to send His Son to die for me, and how Jesus would agree to
  do such a thing. I don't understand the agony of the Father and every  angel in heaven as they watched Jesus suffer and die. I don't  understand the intense love for ME that kept Jesus on the cross till the  end. I don't understand it, but it sure does make life worth living.  John 3:16 For God so loved the world, that he gave his only begotten  Son, that whosoever believeth in him should not perish, but have   everlasting life.
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>  If you aren't ashamed to do this, please follow the directions.  Jesus said, "If you are ashamed of me, I will be ashamed of you before  my Father." Pass this on only if you mean it.
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    I do Love God. He is my source of existence. He keeps me  functioning each and every day. Phil 4:13 If you love God and are not  ashamed of all the marvelous things he has done for you, send this on.  Take 60 seconds & give this a shot! Let's just see if Satan stops this one. All you do is:   1) Simply say a small prayer for the person who sent you this,  "Father, God bless this person in whatever it is that You know  he or she may be needing this day!"

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>  2) Then send it on to ten other people. Within hours ten people have  prayed for you, and you caused a multitude of people to pray to God
for  other people. Then sit back and watch the power of God work in your  life for doing the thing that you know He loves


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