Cecil Payne Dec. 14, 1922 - Nov. 27, 2007

Cecil Payne

Dec. 14, 1922 - Nov. 27, 2007

 

Born in Brooklyn on December 14, 1922, Cecil Payne proved one of the bebop era´s strongest baritone saxophonists; nonetheless, he has always worked in undeserved obscurity. After leaving the military service in 1946, Payne cast aside the guitar, alto, and clarinet to pick up the bari for a brief stint with Roy Eldridge´s Big Band. Payne soon joined the most progressive big band of the era, Dizzy Gillespie´s, where he made his reputation as a fluid player on a sometimes cumbersome instrument and played on the orchestra´s groundbreaking recordings, including Cubano-Be/Cubano-Bop. Payne later freelanced in NYC with Tadd Dameron and Coleman Hawkins (´49-´52), later working with Illinois Jacquet (´52-´54). Payne had remained highly active during the decades since; even though his eyesight had begun to fail him, his songful sax, flowing lines and warm tone, remained fully intact well into his 80's. He was a childhood friend of Randy Weston's and they remainded very close to this day. His friend Art Bailey was a major influence in his musical comeback and his life in the Greater Philadelphia area.

 

Cecil Payne was one of the truly great human beings on this Earth. His positive attitude and his endlessly optimistic nature, no matter how bad things were, always got you a "It is what it is" and an "Everything is Everything" and never a complaint or a negative word was uttered from his mouth.  The Earth is a little emptier from his passing.

 

About 6 years ago, Cecil had gone into seclusion because his eye sight was failing and he didn't want to bother anyone. Ron Carter ran into Wendy Oxenhorn from the Jazz Foundation of America and said, "I'm worried about Cecil. No one has seen him in a year." The Jazz Foundation called him up, spoke to him, he said he was "fine" and didn't need any help. He admitted that he had been going blind, and being the independent strong soul that he was, could only walk as far as the local corner deli and was living on 2 cans of Slimfast and some M & M's for over a year and a half. After hearing that, Wendy tried to tell him that they could at least get "Meals On Wheels" delivered to his home and he'd get a wonderful meal each day- but he wouldn't hear of it.  The next day, Wendy called him and said, "Cecil, I was up all night worried about you- please would you let us try the Meals on Wheels just once." Cecil said, "Well, I don't want you to worry about me and "Meals On Wheels" sounds cool..." as he said slowly in his Cecil way, "Meals .....on Wheels..."

 

Because of these nutritious meals his health improved, he came out of seclusionand started to play again in New York City at Smoke with Eric Alexander, Harold Mabern, Joe and John Farnsworth, John Webber and others he loved dearly. Minoru Odamaki was very helpful as well setting up gigs in New York and even driving him two hours away to the gigs. Now in his 80's, Cecil had the chance to play the Annual "Great Night In Harlem" Benefit Concert for the Jazz Foundation at the Apollo, where he was reunited with many old friends, seeing one another after all those years, like Quincy Jones, Ron Carter, Frank Foster, Freddie Hubbard, Candido, Ray Baretto, Clark Terry, Frank Wess and so many others. You would have thought he was 25 again if you had seen his face light up when being reunited with his peers. After this, Cecil found time to perform in the local nursing homes in the Somerdale area, entertaining elderly patients for free.

 

The Jazz Foundation became very close to Cecil, like family, and found other ways to make his life easier, along with another blessing that came into his life: his landlord Bucky Buchman, who knew and loved Cecil for over 20 years. Bucky also stepped in and along with his assistant Tony Bassett and Ian Greenan, who  lived close by, they watched over him like he was part of the family and he was never really alone again. This past year Cecil spent in a nursing home with this extended family looking in on him several times a week. Never complaining about the pain of his Cancer, never a negative word, just the same optimistic Cecil who would say, "The Sun is Up and so am I, it's a good day." 

 

Last year Cecil said to me, "I want to go home." He said he was tired and ready. He said, "It's time to go." 

 

This morning, he got to do just that. He passed at 6:30 AM, he did not die alone. Bucky called to say "he's gone."    The sun came up this morning and Cecil rose with it.

 

"Love and Bebop" Cecil Payne ...

Early life

Payne received his first saxophone at age 13, asking his father for one after hearing Honeysuckle Rose by Count Basie, performed by Lester Young. Payne took lessons from a local alto sax player, Pete Brown.

[edit] Career

Payne began his professional recording career with J. J. Johnson on the Savoy label in 1946. During that year he was also began playing with Roy Eldridge, through whom he met Dizzy Gillespie. His earlier recordings would largely fall under the swing category, until Gillespie hired him. Payne stayed onboard until 1949, heard performing solos on "Ow!" and "Stay On It". In the early 1950s he found himself working with Tadd Dameron, and worked with Illinois Jacquet from 1952 to 1954. He then started freelance work in New York and frequently performed during this period with Randy Weston, with whom Payne worked with until 1960. [1] Payne was still recording regularly for Delmark Records in the 1990s, when he was in his seventies, and indeed on into the new millennium.

[edit] Personal life

Payne is a cousin of trumpeter Marcus Belgrave, whom he recorded with briefly.[2] Aside from his career in music Payne helped run his father's real estate company during the 1950s.[3]

[edit] Partial Discography

• Randy Weston Jazz a la Bohemia (1956) The Randy Weston Trio plus Payne
• Patterns of Jazz (1957) his debut album Savoy Records
• Performing Charlie Parker Music (1961) (Collectables)
• Cerupa (1993) (Delmark-478)
• Scotch and Milk (1997) (Delmark DE-494)
• Payne's Window (1999) (Delmark DE-509)
• The Brooklyn Four Plus One (1999) (Progressive)
• Chic Boom: Live at the Jazz Showcase (2001) (Delmark DE-529) with tenor player Eric Alexander.