Wednesday, January 30, 2008

Jessye Norman Festivals to Lead Carnegie’s Season

Jessye Norman Festivals to Lead Carnegie’s Season
 
Published: January 30, 2008

Phrases from spirituals floated softly from the podium. “Plenty good room, good room, in my Father’s kingdom,” Jessye Norman sang on Tuesday in a reception space at Carnegie Hall.

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Victor Kraft

Jessye Norman, who organized the Honor! festival.

RelatedCarnegie Hall's 2008-2009 Season

It was an unusual moment at a routine function, a news conference to announce Carnegie’s 2008-9 season. Ms. Norman was the featured guest because the hall has asked her to serve as curator for the centerpiece of its programs: a three-week festival called Honor! A Celebration of the African-American Cultural Legacy.

Ms. Norman, wearing a jaunty cap, sang a few snippets in a presentation of her plans for the festival.

“This festival is important and courageous in its scope, not only for the sheer pleasure of its many and varied artistic offerings,” she said, “but also as an educational avalanche that I trust will simply envelop us all.”

A foundation of black cultural heritage, she said, was the spiritual, “the purest example of grace and dignity under extreme pressure.”

Carnegie Hall, whose mission to create programming looms even larger than its role as a stage for musicians to rent, has taken to creating festivals featuring events in various disciplines around the city. This season it was Berlin in Lights last November.

Honor! begins on March 4, 2009. Ms. Norman was short on details of who will perform because, she said, she was still waiting for commitments.

“The whole idea of this festival is to bring to the forefront the names we’ve forgotten or never even heard of,” Ms. Norman said. She promised that the name of every African-American “who has ever walked across the stages of this hall” will be heard. One of those names is her own: she has performed at the hall 41 times, she said, “and counting.”

The festival will begin with a jaunt through blues, jazz, rhythm and blues, soul and more. Then Ms. Normanwill take part in a tribute to Duke Ellington at the Cathedral Church of St. John the Divine. A day of panel discussions and musical performances will take place at Zankel Hall.

Ms. Norman will also perform in “Ask Your Mama!,” a multimedia presentation based on a text by Langston Hughes. The Apollo Theater will play host to spiritual and gospel music. Dee Dee Bridgewater will perform one evening, and the Philadelphia Orchestra will present a program of Milhaud’s jazzy piece “La Création du Monde,” Dvorak’s spiritual-influenced “New World” Symphony and a violin concerto by the black American composer George Walker. Charles Dutoit will conduct.

In the fall Carnegie, the New York Philharmonic and others will jointly present another festival previously announced, Bernstein: The Best of All Possible Worlds. A two-week celebration of Hungarian music next winter will include the first New York appearance of the composer and pianist Gyorgy Kurtag, whose music will be featured in three programs.

The composer Elliott Carter, who turns 100 in December and is being honored around town this year, will be composer in residence at Carnegie Hall and have a number of works, including several premieres, on various programs.

Two other featured musicians are the Indian tabla player Zakir Hussain and the pianist and conductor Daniel Barenboim, who will lead a Perspectives series at Carnegie. Mr. Hussain has been given five concerts, including one performing with Béla Fleck on banjo and Edgar Meyer on double bass.

Mr. Barenboim and Pierre Boulez will share conducting duties for a complete Mahler symphony cycle, mostly in order, with the Berlin Staatskapelle, the orchestra of the Berlin State Opera. Mr. Barenboim is the opera’s music director.

He will also play piano with the Boston Symphony Orchestra, teaming up with its music director, James Levine, in a Schubert four-hand piece in a program that includes Beethoven’s Piano Concerto No. 3, Stravinsky’s “Rite of Spring” and the New York premiere of Mr. Carter’s “Interventions” for piano and orchestra.

Mr. Barenboim, Carnegie disclosed, will also conduct a run of Wagner’s “Tristan und Isolde” at the Metropolitan Opera in November and December. In February 2006, the Met had said only that Mr. Barenboim would make his conducting debut in a future season. He will also play a piano recital at the Met on Dec. 14, Carnegie said, a rare such event at the opera house.

Major American orchestras — those of New York, Chicago, Philadelphia, Cleveland, Boston and San Francisco — will traipse through, as usual, along with other regular orchestras, like the Vienna Philharmonic and the Israel Philharmonic. Of smaller American orchestras, Baltimore, St. Louis and Minnesota will be on hand. The Australian Chamber Orchestra, the Bavarian Radio Symphony, the Toronto Symphony and the Budapest Festival Orchestra also have dates.

Solo concerts will feature Jonathan Biss, Evgeny Kissin, Yundi Li, Jennifer Montone, Krystian Zimerman, Richard Goode, Maurizio Pollini, Christian Tetzlaff, Jeremy Denk, Alisa Weilerstein and Viktoria Mullova. Singers include Cecilia Bartoli, Isabel Bayrakdarian, Ian Bostridge, René Pape and Anne Sofie von Otter.

Monday, January 28, 2008

Oral Roberts University: Benny Resigns from ORU Board of Regents

 
Oral Roberts University: Benny Resigns from ORU Board of Regents
Oral Roberts University Business Regent I.V. Hilliard, co-founder of New Light Christian Center Church in Texas; and Regent Emeritus Benny Hinn, who until recently was a business regent, have resigned from the school’s board of regents.  Looks like another positive move forward for ORU. 
Two resign from ORU board of regents Roberts University Business Regent I.V. Hilliard, co-founder of New Light Christian Center Church in Texas; and Regent Emeritus Benny Hinn, who until recently was a business regent, have resigned from the school’s board of regents, according to a press release.

Hinn wished ORU success, according to the press release, and Hilliard said he remained committed to the school’s vision and new direction.

Hinn’s spending, along with that of other prominent televangelists, is being investigated by U.S. Sen. Chuck Grassley, R-Iowa.

Last month, two other business regents resigned: Creflo Dollar, the founder and senior pastor of World Changers Church International in Georgia; and Jesse Duplantis, evangelist and founder of Jesse Duplantis Ministries in Louisiana. Dollar also is being investigated by Grassley.

ORU’s board of regents will meet Monday and Tuesday to look at “organizational activities” and to evaluate “strategic
opportunities,” according to the press release.

“Throughout this ongoing process, the board will seek out opportunities that advance the long-term financial viability of the university as well as ensure that the university will stay true to its founding vision,” the release said.

ORU spokesman Jeremy Burton did not immediately have additional information about the meeting.

The board has yet to make any announcements about whether it will accept an offer of $70million from the family of Oklahoma City businessman Mart Green or an offer of help from Regent University, which was founded by Pat Robertson, a pioneer in Christian broadcasting.

Megachurch Leader Surrenders on Charge

Megachurch Leader Surrenders on Charge
By DORIE TURNER 01.15.08, 10:29 PM ETATLANTA -

The 80-year-old leader of a suburban Atlanta megachurch turned himself over to authorities Tuesday night to face a charge that he lied under oath.

A warrant for the arrest of Archbishop Earl Paulk was issued Monday after a months-long probe by the Georgia Bureau of Investigation. The longtime pastor of the Cathedral of the Holy Spirit at Chapel Hill Harvester Church made a deal with the Cobb County Sheriff's office to surrender within 48 hours, said Nancy Bodiford, executive assistant to Sheriff Neil Warren.

Paulk's defense attorney, Joel Pugh, said the warrant took the family by surprise.

"We weren't expecting the warrant to be issued this quickly," Pugh said.

The felony perjury charge against Paulk stem from a civil lawsuit against him, his brother Don and the church by former church employee, Mona Brewer. The lawsuit alleges that Earl Paulk manipulated Brewer into an affair from 1989 to 2003 by telling her it was her only path to salvation.

In a 2006 deposition for the lawsuit, the archbishop said under oath that the only woman he had ever had sex with outside of his marriage was Brewer.

But the results of a court-ordered paternity test revealed in October that Paulk is the biological father of his brother's son, D.E. Paulk, who is now head pastor at the church. As part of Brewer's lawsuit, eight women have given sworn depositions that they were coerced into sexual relationships with Earl Paulk.

A judge ordered the paternity test at the request of the Cobb County district attorney's office and the GBI.

Paulk and his brother, Don, have been hit with multiple lawsuits from former members alleging they were coerced into sexual affairs, but this is the first time criminal charges have been filed against the archbishop.

Paulk has been in bad health for the last couple of years after a battle with cancer, limiting his activity with the independent charismatic church he and his brother founded in 1960.

At its peak in the early 1990s, the Cathedral at Chapel Hill claimed about 10,000 members and 24 pastors and was a media powerhouse. The church was able to build a Bible college, two schools, a worldwide TV ministry and a $12 million sanctuary the size of a fortress in Decatur outside Atlanta.

Today membership is down to about 1,500, the church has 18 pastors, most of them volunteers, and the Bible college and TV ministry have shuttered - a downturn blamed largely on complaints about the sexual scandals.

Church Calls 911: “And we need to, um, have her out ASAP”

Church Calls 911:  “And we need to, um, have her out ASAP”

From the Wall Street Journal: On a quiet Sunday morning in June, as worshippers settled into the pews at Allen Baptist Church in southwestern Michigan, Pastor Jason Burrick grabbed his cellphone and dialed 911. When a dispatcher answered, the preacher said a former congregant was in the sanctuary. "And we need to, um, have her out A.S.A.P." Half an hour later, 71-year-old Karolyn Caskey, a church member for nearly 50 years who had taught Sunday school and regularly donated 10% of her pension, was led out by a state trooper and a county sheriff's officer. One held her purse and Bible. The other put her in handcuffs. (You can listen to the 911 call here)

The charge was trespassing, but Mrs. Caskey’s real offense, in her pastor’s view, was spiritual. Several months earlier, when she had questioned his authority, he’d charged her with spreading “a spirit of cancer and discord” and expelled her from the congregation. “I’ve been shunned,” she says.

Her story reflects a growing movement among some conservative Protestant pastors to bring back church discipline, an ancient practice in which suspected sinners are privately confronted and then publicly castigated and excommunicated if they refuse to repent. While many Christians find such practices outdated, pastors in large and small churches across the country are expelling members for offenses ranging from adultery and theftto gossiping, skipping service and criticizing church leaders.

The revival is part of a broader movement to restore churches to their traditional role as moral enforcers, Christian leaders say. Some say that contemporary churches have grown soft on sinners, citing the rise of suburban megachurches where pastors preach self-affirming messages rather than focusing on sin and redemption. Others point to a passage in the gospel of Matthew that says unrepentant sinners must be shunned.

Causing Disharmony

Watermark Community Church, a nondenominational church in Dallas that draws 4,000 people to services, requires members to sign a form stating they will submit to the “care and correction” of church elders. Last week, the pastor of a 6,000-member megachurch in Nashville, Tenn., threatened to expel 74 members for gossiping and causing disharmony unless they repented. The congregants had sued the pastor for access to the church’s financial records.

First Baptist Church of Muscle Shoals, Ala., a 1,000-member congregation, expels five to seven members a year for “blatant, undeniable patterns of willful sin,” which have included adultery, drunkenness and refusal to honor church elders. About 400 people have left the church over the years for what they view as an overly harsh persecution of sinners, Pastor Jeff Noblit says.

The process can be messy, says Al Jackson, pastor of Lakeview Baptist Church in Auburn, Ala., which began disciplining members in the 1990s. Once, when the congregation voted out an adulterer who refused to repent, an older woman was confused and thought the church had voted to send the man to hell.

Scholars estimate that 10% to 15% of Protestant evangelical churches practice church discipline—about 14,000 to 21,000 U.S. congregations in total. Increasingly, clashes within churches are spilling into communities, splitting congregations and occasionally landing church leaders in court after congregants, who believed they were confessing in private, were publicly shamed.

In the past decade, more than two dozen lawsuits related to church discipline have been filed as congregants sue pastors for defamation, negligent counseling and emotional injury, according to the Religion Case Reporter, a legal-research database. Peggy Penley, a Fort Worth, Texas, woman whose pastor revealed her extramarital affair to the congregation after she confessed it in confidence, waged a six-year battle against the pastor, charging him with negligence. Last summer, the Texas Supreme Court dismissed her suit, ruling that the pastor was exercising his religious beliefs by publicizing the affair.

Courts have often refused to hear such cases on the grounds that churches are protected by the constitutional right to free religious exercise, but some have sided with alleged sinners. In 2003, a woman and her husband won a defamation suit against the Iowa Methodist conference and its superintendent after he publicly accused her of “spreading the spirit of Satan” because she gossiped about her pastor. A district court rejected the case, but the Iowa Supreme Court upheld the woman’s appeal on the grounds that the letter labeling her a sinner was circulated beyond the church.

Advocates of shunning say it rarely leads to the public disclosure of a member’s sin. “We’re not the FBI; we’re not sniffing around people’s homes trying to find out some secret sin,” says Don Singleton, pastor of Ridgeview Baptist Church in Talladega, Ala., who says the 50-member church has disciplined six members in his 2½ years as pastor. “Ninety-nine percent of these cases never go that far.”

When they do, it can be humiliating. A devout Christian and grandmother of three, Mrs. Caskey moves with a halting gait, due to two artificial knees and a double hip replacement. Friends and family describe her as a generous woman who helped pay the electricity bill for Allen Baptist, in Allen, Mich., when funds were low, gave the church $1,200 after she sold her van, and even cut the church’s lawn on occasion. She has requested an engraved image of the church on her tombstone.

 

Banned From Church

Banned From Church
Reviving an ancient practice, churches are exposing sinners and shunning those who won't repent.
By ALEXANDRA ALTER
January 18, 2008; Page W1

On a quiet Sunday morning in June, as worshippers settled into the pews at Allen Baptist Church in southwestern Michigan, Pastor Jason Burrick grabbed his cellphone and dialed 911. When a dispatcher answered, the preacher said a former congregant was in the sanctuary. "And we need to, um, have her out A.S.A.P."

[Shun]

Half an hour later, 71-year-old Karolyn Caskey, a church member for nearly 50 years who had taught Sunday school and regularly donated 10% of her pension, was led out by a state trooper and a county sheriff's officer. One held her purse and Bible. The other put her in handcuffs. (Listen to the 911 call)

The charge was trespassing, but Mrs. Caskey's real offense, in her pastor's view, was spiritual. Several months earlier, when she had questioned his authority, he'd charged her with spreading "a spirit of cancer and discord" and expelled her from the congregation. "I've been shunned," she says.

Her story reflects a growing movement among some conservative Protestant pastors to bring back church discipline, an ancient practice in which suspected sinners are privately confronted and then publicly castigated and excommunicated if they refuse to repent. While many Christians find such practices outdated, pastors in large and small churches across the country are expelling members for offenses ranging from adultery and theft to gossiping, skipping service and criticizing church leaders. The revival is part of a broader movement to restore churches to their traditional role as moral enforcers, Christian leaders say. Some say that contemporary churches have grown soft on sinners, citing the rise of suburban megachurches where pastors preach self-affirming messages rather than focusing on sin and redemption. Others point to a passage in the gospel of Matthew that says unrepentant sinners must be shunned.

Causing Disharmony

Watermark Community Church, a nondenominational church in Dallas that draws 4,000 people to services, requires members to sign a form stating they will submit to the "care and correction" of church elders. Last week, the pastor of a 6,000-member megachurch in Nashville, Tenn., threatened to expel 74 members for gossiping and causing disharmony unless they repented. The congregants had sued the pastor for access to the church's financial records.

First Baptist Church of Muscle Shoals, Ala., a 1,000-member congregation, expels five to seven members a year for "blatant, undeniable patterns of willful sin," which have included adultery, drunkenness and refusal to honor church elders. About 400 people have left the church over the years for what they view as an overly harsh persecution of sinners, Pastor Jeff Noblit says.

The process can be messy, says Al Jackson, pastor of Lakeview Baptist Church in Auburn, Ala., which began disciplining members in the 1990s. Once, when the congregation voted out an adulterer who refused to repent, an older woman was confused and thought the church had voted to send the man to hell.

[Shun]
Karolyn Caskey was expelled from Allen Baptist Church after clashing with the pastor.

Amy Hitt, 43, a mortgage officer in Amissville, Va., was voted out of her Baptist congregation in 2004 for gossiping about her pastor's plans to buy a bigger house. Her ouster was especially hard on her twin sons, now 12 years old, who had made friends in the church, she says. "Some people have looked past it, but then there are others who haven't," says Ms. Hitt, who believes the episode cost her a seat on the school board last year; she lost by 42 votes.

Scholars estimate that 10% to 15% of Protestant evangelical churches practice church discipline -- about 14,000 to 21,000 U.S. congregations in total. Increasingly, clashes within churches are spilling into communities, splitting congregations and occasionally landing church leaders in court after congregants, who believed they were confessing in private, were publicly shamed.

In the past decade, more than two dozen lawsuits related to church discipline have been filed as congregants sue pastors for defamation, negligent counseling and emotional injury, according to the Religion Case Reporter, a legal-research database. Peggy Penley, a Fort Worth, Texas, woman whose pastor revealed her extramarital affair to the congregation after she confessed it in confidence, waged a six-year battle against the pastor, charging him with negligence. Last summer, the Texas Supreme Court dismissed her suit, ruling that the pastor was exercising his religious beliefs by publicizing the affair.

[Shun]
Allen Baptist Church

Courts have often refused to hear such cases on the grounds that churches are protected by the constitutional right to free religious exercise, but some have sided with alleged sinners. In 2003, a woman and her husband won a defamation suit against the Iowa Methodist conference and its superintendent after he publicly accused her of "spreading the spirit of Satan" because she gossiped about her pastor. A district court rejected the case, but the Iowa Supreme Court upheld the woman's appeal on the grounds that the letter labeling her a sinner was circulated beyond the church.

Advocates of shunning say it rarely leads to the public disclosure of a member's sin. "We're not the FBI; we're not sniffing around people's homes trying to find out some secret sin," says Don Singleton, pastor of Ridgeview Baptist Church in Talladega, Ala., who says the 50-member church has disciplined six members in his 2½ years as pastor. "Ninety-nine percent of these cases never go that far."

When they do, it can be humiliating. A devout Christian and grandmother of three, Mrs. Caskey moves with a halting gait, due to two artificial knees and a double hip replacement. Friends and family describe her as a generous woman who helped pay the electricity bill for Allen Baptist, in Allen, Mich., when funds were low, gave the church $1,200 after she sold her van, and even cut the church's lawn on occasion. She has requested an engraved image of the church on her tombstone.

Gossip and Slander

Her expulsion came as a shock to some church members when, in August 2006, the pastor sent a letter to the congregation stating Mrs. Caskey and an older married couple, Patsy and Emmit Church, had been removed for taking "action against the church and your preacher." The pastor, Mr. Burrick, told congregants the three were guilty of gossip, slander and idolatry and should be shunned, according to several former church members.

"People couldn't believe it," says Janet Biggs, 53, a former church member who quit the congregation in protest.

The conflict had been brewing for months. Shortly after the church hired Mr. Burrick in 2005 to help revive the congregation, which had dwindled to 12 members, Mrs. Caskey asked him to appoint a board of deacons to help govern the church, a tradition outlined in the church's charter. Mr. Burrick said the congregation was too small to warrant deacons. Mrs. Caskey pressed the issue at the church's quarterly business meetings and began complaining that Mr. Burrick was not following the church's bylaws. "She's one of the nicest, kindest people I know," says friend and neighbor Robert Johnston, 69, a retired cabinet maker. "But she won't be pushed around."

[Shun]
Karolyn Caskey reads her Bible.

In April 2006, Mrs. Caskey received a stern letter from Mr. Burrick. "This church will not tolerate this spirit of cancer and discord that you would like to spread," it said. Mrs. Caskey, along with Mr. and Mrs. Church, continued to insist that the pastor follow the church's constitution. In August, she received a letter from Mr. Burrick that said her failure to repent had led to her removal. It also said he would not write her a transfer letter enabling her to join another church, a requirement in many Baptist congregations, until she had "made things right here at Allen Baptist."

She went to Florida for the winter, and when she returned to Michigan last June, she drove the two miles to Allen Baptist as usual. A church member asked her to leave, saying she was not welcome, but Mrs. Caskey told him she had come to worship and asked if they could speak after the service. Twenty minutes into the service, a sheriff's officer was at her side, and an hour later, she was in jail.

"It was very humiliating," says Mrs. Caskey, who worked for the state of Michigan for 25 years before retiring from the Department of Corrections in 1992. "The other prisoners were surprised to see a little old lady in her church clothes. One of them said, 'You robbed a church?' and I said, 'No, I just attended church.' "

Word quickly spread throughout Allen, a close-knit town of about 200 residents. Once a thriving community of farmers and factory workers, Allen consists of little more than a strip of dusty antiques stores. Mr. and Mrs. Church, both in their 70s, eventually joined another Baptist congregation nearby.

About 25 people stopped attending Allen Baptist Church after Mrs. Caskey was shunned, according to several former church members.

Current members say they support the pastor's actions, and they note that the congregation has grown under his leadership. The simple, white-washed building now draws around 70 people on Sunday mornings, many of them young families. "He's a very good leader; he has total respect for the people," says Stephen Johnson, 66, an auto parts inspector, who added that Mr. Burrick was right to remove Mrs. Caskey because "the Bible says causing discord in the church is an abomination."

Mrs. Caskey went back to the church about a month after her arrest, shortly after the county prosecutor threw out the trespassing charge. More than a dozen supporters gathered outside, some with signs that read "What Would Jesus Do?" She sat in the front row as Mr. Burrick preached about "infidels in the pews," according to reports from those present.

Once again, Mrs. Caskey was escorted out by a state trooper and taken to jail, where she posted the $62 bail and was released. After that, the county prosecutor dismissed the charge and told county law enforcement not to arrest her again unless she was creating a disturbance.

In the following weeks, Mrs. Caskey continued to worship at Allen Baptist. Some congregants no longer spoke to her or passed the offering plate, and some changed seats if she sat next to them, she says.

Mr. Burrick repeatedly declined to comment on Mrs. Caskey's case, calling it a "private ecclesiastical matter." He did say that while the church does not "blacklist" anyone, a strict reading of the Bible requires pastors to punish disobedient members. "A lot of times, flocks aren't willing to submit or be obedient to God," he said in an interview before a Sunday evening service. "If somebody is not willing to be helped, they forfeit their membership."

In Christianity's early centuries, church discipline led sinners to cover themselves with ashes or spend time in the stocks. In later centuries, expulsion was more common. Until the late 19th century, shunning was widely practiced by American evangelicals, including Methodists, Presbyterians and Baptists. Today, excommunication rarely occurs in the U.S. Catholic Church, and shunning is largely unheard of among mainline Protestants.

Little Consensus

Among churches that practice discipline, there is little consensus on how sinners should be dealt with, says Gregory Wills, a theologian at Southern Baptist Theological seminary. Some pastors remove members on their own, while other churches require agreement among deacons or a majority vote from the congregation.

Since Mrs. Caskey's second arrest last July, the turmoil at Allen Baptist has fizzled into an awkward stalemate. Allen Baptist is an independent congregation, unaffiliated with a church hierarchy that might review the ouster. Supporters have urged Mrs. Caskey to sue to have her membership restored, but she says the matter should be settled in the church. Mr. Burrick no longer calls the police when Mrs. Caskey shows up for Sunday services.

Since November, Mrs. Caskey has been attending a Baptist church near her winter home in Tavares, Fla. She plans to go back to Allen Baptist when she returns to Michigan this spring.

"I don't intend to abandon that church," Mrs. Caskey says. "I feel like I have every right to be there."

Saturday, January 26, 2008

Fortifi@ Radio Broadcast #10 Music Epiphany Part2

7 Signs that Reveal the Character of Musicians

 

                      Phil Bingham

 

 

3)  The Character of Musicians is revealed by their response to their own promises and responsibilities

a)    Pay bills

b)    Do you owe money to someone and never pay back

c)      We know your character by the way you handle money

 

4)  The Character of Musicians is revealed by their response to their reaction to correction and authority

a)     Beware of musicians that disregard authority that can discipline them

a)     Reaction to warnings

a.    Package uncovered

b.    Come thru people don’t like

c.     There is not one voice that can destroy you it is your reaction to the wrong voice

                                     i.      Samson did not listen to his father

b)     Reaction to loss

a.    Knowledge of gain

b)     Beware of musicians that do not know chain of authority

<P class='MsoNormalstyle="MARGIN-TOP:' align=left -0.5in? TEXT-INDENT: 2.25in; MARGIN-LEFT: 0px; MARGIN-BOTTOM:>i)                  Listen to musician’s reaction to authority (parents, music icons, forerunners

ii)                Reactions to pastoral, governmental authority

                                            i.      Reaction to a leader

                                            ii.      Boss, mentor, parent

                                           iii.      Profile of the rebellious prince

                                            iv.      Absalom spirit

                                             v.      Man over your life

 

5)  The Character of Musicians is revealed by their response to the presence of Greatness

a) Note the musicians that put a value of great musicians

      1. many great musician know the secrets of music success

    1. Reaction to unbeliever-many of the great musicians do not have a personal relationship with God

    2. Conversational listening is a life saver

    3. Reaction to a difference (styles, genres)

 

6)  The Character of Musicians is revealed by their response to the to hurting people

1.    Reaction to aged-feeble

a.    No equality in knowledge or experience

b.    Difference is aged

c.     Aged choose conversation at the table

d.    You will be promoted chosen by someone over you (aged)

e.    Age positions you

f.      Youth is unproven and  untested

1.    Novice inexperienced

g.    Lack of honor to the aged will destroy culture

h.    Youth is not the nation

i.       Music Aged have first honor

1.    Secret of Japanese culture

a) And what does the LORD require of you
      But to do justly,
      To love mercy,
      And to walk humbly with your God?

7)  The Character of Musicians is revealed by their response to theto music instruction

a)  Beware of musicians that can not follow a divine music instruction

b) Never do business with a musician that will rob God

c)  Beware of musicians and they react to a music instruction

Fortifi@ Radio Broadcast #10 Music Epiphany part1

 

Music Epiphany

Fortifi@ Radio Broadcast #10 Music Epiphany

 

Phil Bingham

 

 

January 6th marked Music Epiphany. On January 6th, the gravity of music perception was heightened. On Epiphany, we are looking forward to the “day” of revelation. Emmanuel God - amongst us in the Music Neighborhood.

 

Malachi 3:2 (New King James Version)

2 “ But who can endure the day of His coming?
      And who can stand when He appears?
      For He is like a refiner’s fire
      And like launderers’ soap.

 

In 2008, we are looking forward to a music revelation that will meet the needs of this New Year’s challenges. Regrettably, the 2007 music sounds are inadequate to meet the 2008 challenges. The yearning for a new music solution helps us look forward to new music revelation. Music Epiphany is the “day” time when we look forward to new music revelation.

 

Jesus has made an appearance amongst the aggregate of musicians in the nations. Christ appearance in the Music neighborhood is not just the Nativity. Christ appearance is magnified by the Music Magi.

 

The Music Magi recognize the gift of God by the wrapping.  2008 will be a new opportunity to rewrap the music gift that God has given you.  You will recognize the new gift of God by the musician that is wrapped in swaddling clothes. Swaddling clothes "Holiness" thus denotes the absoluteness, majesty, and awesomeness of God-the-Creator. The Gift of this season (Jesus) was wrapped up in a package of swaddling clothes. Swaddling is an age-old practice of wrapping infants snugly in swaddling cloths, blankets or similar cloth so that movement of the limbs is tightly restricted. The swaddling clothes omission (Ezek 16.4) would be a token that the child had been abandoned. Luke2:12 And this will be the sign to you: You will find a Babe wrapped in swaddling cloths, lying in a manger.” There is a connection between the "child wrapped in swaddling clothes and lying in a manger" with the body of Jesus "wrapped in a linen cloth and laid in a rock hewn tomb" (Luke 23, 53).

 

There will be a new facet of Emmanuel’s’ Song of the Lord that will be introduced and emphasized on earth. God- Emmanuel dwells with the music family! The new gift of the Lord will move the music ministry from the focus on their music gift. In pre 2007 the music ministry learned the music acts of God. We now know that God can work in the Praise team and praise dance ministry. The new emphasis will focus on musicians becoming mature sons of God. In, 2008, the music ministry will know the music ways of God.

 

In the pre 2007 former season (1960-2000) musicians have had access to the new music gifts. The church was introduced to the:

  1. relevant user friendly music melodies

    1. charismatic music-praise and worship, praise bands

                                                             i.      User-friendly music, market sensitive churches. ministries of motivational music

    1. dance ministry

    2. multimedia, power point

    3. Mp3-Musicpreneaurs emergent music entrepreneur product

 

Mature music leadership will emerge in the coming season. God’s nature is the new gift that will emerge in the new season. This is a shift from the narcissism of leadership to the maturity of responsible sons of God. Music Character, not merely music style, will become the focus of the current season. Being empowered by the spirit as sent ones has accompanied and balanced the ministry of gifts. In 2008 you will need direct access to God nature to compose music for the healing of the nations.

7 Signs that Reveal the Character of Musicians

 

1)  The Character of Musicians is revealed by their response to Word of God

a)    Reaction to the Word of God

b)    Beware of musicians that have no fear to Word of God

    1. Reaction to presence of God

    2. Fear dies in the presence of God

    3. Righteous grow in the presence of God

    4. Your conscious grow in the presence of God

    5. Heighten awareness of danger grows in the presence of God

      1. Doubt dies

    6. A musician has no future outside the presence of God

 

2)  The Character of Musicians is revealed by their response to a music gift

a)     Some environments do not appreciate your style of music

1.    i.The unappreciative say “is this all you gave me”

b)     Music access is a gift

c)    Reaction to loss

a.    Knowledge of gain

b.    Reaction to a gift

c.     Labor to say thank you

d.    Graceful-grateful

e.    Responsive to  a gift is a picture of character

f.      Favor-

g.    Link to a job

h.    New mercy every morning

 

3)  The Character of Musicians is revealed by their response to their own promises and responsibilities

a)    Pay bills

b)    Do you owe money to someone and never pay back

c)      We know your character by the way you handle money

Botswana: Gospel Artistes At Loggerheads

Botswana: Gospel Artistes At Loggerheads


Chippa Legodimo

Matheke Leteane and Joel Keitumele are at each other's throat over dynamic young gospel star Vusi. Things started last year when Vusi left Fledan Music Productions, or rather threatened to leave Leteane's record label.

The saying that dynamite comes in small packages is fitting for Vusi. He burst onto the gospel music scene like a firecracker in 2005 after the release of his debut album Ntate re Thuse, produced by Leteane.

He was then a nippy 13-year-old who only had dreams of becoming a gospel star. Under Leteane, the youngster established himself as one of the most sought after musicians, pulling big crowds to his shows. Just a year after he released his first album, the young man was nominated for the best male gospel artiste award. Perhaps fame came too early for Vusi. As his profile grew as a recording artiste, his mentor Leteane jealously guarded him like a female tiger protecting its vulnerable cub.

But at the same time it seems other producers hoped to snatch him from under his nose. Some were prepared to do anything to sign him up. Young as he was the star was bound to get easily tempted.

Late last year rumours started flying that Botswana's most promising gospel artiste was drinking himself to an early grave and was already having love affairs with older women. Apparently Vusi left Leteane to join Keitumele's stable and the move created a rift between the two men. Even now Leteane is angry that Keitumele tried to steal his brightest prospect while the latter accuses him and Vusi of trying to use his name to win fame.

While Vusi claims that he was enticed, Keitumele says it was the youngster who actually called him and asked to be enlisted. While accusations and counter-accusations flew around this reporter called the three men for an interview where they came face-to-face. "Vusi called to tell me that I should help him because Matheke was cheating him. I then told him to come over so that we could talk face-to- face, which he did. We then discussed it and I suggested that we meet the parents," Keitumele said.

"It is not true, you called me and after that you used every means to convince me to join you. You bought me beer and at one stage you brought a woman to me. But what angered me, and made me go back to Leteane, was that you even lied to my mum about him," Vusi said angrily.

Apparently the three of them and Vusi's father met sometime in November last year to sort things out as Vusi still had a contract with Leteane's company and had just finished recording an album. At that meeting Leteane suggested that he should hand over the album to Keitumele but the latter felt that Vusi and his mentor needed to deal with their issues before he could sign him on.

"I was then surprised to hear later that Vusi had been seen playing with Leteane in Francistown and I just concluded that the two had sorted out their differences," he said.

However, Vusi said that he decided to make a u-turn because he realised that all the nice things and promises from Keitumele were meant to entice him.

"I remember how you took me to Pure Drop and bought me alcohol, while you were not drinking. You just wanted to turn my head around, it was not that you wanted to help me," Vusi said.

"But how could I introduce you to alcohol when I do not drink ?" Keitumele asked, but Vusi chipped in, "but you remember how you bought me a six pack of Storm and bought yourself a bottle of Roxxe"

Leteane added, "Before our meeting with Vusi's father I found the two of you drunk at a filling station and we ended up fighting and the matter was reported to the police, so Joel should not try to be smart". At that stage tempers flared and Keitumele said, "you guys should stop using my name to go up, I worked hard to be where I am today".

The issue is said to be have created a problem between Vusi and his parents, so much that he once had to leave home because his mother was angry with his associationwith Leteane. Ironically, Vusi's mother does not trust Leteane anymore and would like her son to join Keitumele but his father is on Leteane's side. "The problems were there before I came into the picture, I heard of Vusi's drinking problem in August and he only came to me in November. That is why his mother asked me to look after him," Keitumele said.

Vusi, who has been a bright student all along, conceded that because of the problems that have dogged his career his studies suffered and he only managed a third class pass in Form Three. He had passed his primary school leaving examination with a merit. "I missed one of the mathematics papers, while Keitumele was spoiling me. He did not have my interests at heart; he just wanted to exploit me and he bad-mouthed Leteane. As it is now my mum is angry with me because I refused to leave Leteane. If it were not for him there would not be any Vusi and I am not leaving him. I thank God for showing me the light and (like the prodigal son) make me return," Vusi said. Both Vusi and Leteane accuse Keitumele of using dirty tricks to lure the youngster to his stable.

But the Vusi issue is only the tip of the iceberg. Leteane believes that since he won the Best Male Gospel artiste award in 2006, Keitumele has tried everything to prove that he is better, while Keitumele says that Leteane is jealous of his success in music

Friday, January 25, 2008

Top Christian Artists Write Songs to Benefit Poor Countries

Top Christian Artists Write Songs to Benefit Poor Countries By
Katherine T. Phan
Christian Post Reporter
Fri, Jan. 11 2008 03:50 PM ET
 

Top Christian music artists who gathered for a retreat in Scotland this week to compose songs for charity are surprised yet exhilarated that they have written almost double the number of songs they initially set as a goal.

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Compassionart
(Photo: Compassionart)
Compassionart songwriters work on a song in one of the writer's rooms in Scotland. Pictured (l-r) are: Tim Hughes, Graham Kendrick, Darlene Zschech, Michael W. Smith and Israel Houghton.

The plan for the Compassionart songwriter's retreat was to gather internationally recognized songwriters – including Martin Smith of Delirious?, Michael W. Smith, Steven Curtis Chapman and Darlene Zschech – and write 10-12 songs to raise money for those suffering in the poorest countries.

Songwriters participating in the historic gathering, which began Jan. 7 and ended Friday, are amazed at the achievement. Through small break-up teams, the talented group cumulatively produced over 21 strong songs, according to Delirious? frontman Smith, who founded Compassionart.

"We've done it. We just need to record these songs now. It's been awesome," Smith said on the band's website Friday. "I'm proud, in awe, exhilarated and tired. Good days, great days."

He compared the retreat as one of the times in "history when people join together to do something great and lay down their own agenda, their own territory."

"Unbelievable" was the word Michael W. Smith used to describe the experience. Although some of them had written songs together before, it was the first time they did it together with dozens of award-winning artists.

“It’s been especially touching to see everyone be themselves and be vulnerable in front of each other. Yet when a group plays its song, the whole room erupts. It’s just pure Christianity. It’s a team thing of people lifting each other up," said the three-time Grammy Award winner and American Music Award recipient.

"It’s incredible to be working with all of these artists for a worthy cause. Laying down your own agenda really frees you in so many ways, and this week has been a pure joy," he added.

In addition to putting aside record label affiliations, the Christian music artists also waived their claims to royalties from the songs and copyrights to the songs.

All proceeds derived from the songs written during the retreat will go directly to charity. Half will go to the charity of the songwriters' choice and the other half will go toward a charitable program later to be selected by the songwriters.

Royalties will go directly to copyright holder Compassionart – based in Littlehampton, England – which will then distribute the money to the charities of choice.

Other participating artists were Paul Baloche, Stu Garrard (Delirious?), Israel Houghton, Tim Hughes, Graham Kendrick, Andy Park and Matt Redman.

Chris Tomlin, who canceled plans to attend due to a short-term illness, called on Wednesday to express his disappointment for not making the retreat but said he was "excited" to hear about the event's fruits.

Renowned Christian speaker Joyce Meyer had joined gathering, leading a morning devotional.

Baloche, author of the worship favorite "Open the Eyes of My Heart," said one of the most memorable aspects of the retreat was the deep friendships he formed.

“I can’t even tell you how rewarding it was to hang out people who really get you and what you’re about,” he said.

“It’s a great way to start a new year, that’s for sure. That deep connection has made all the difference in collaborating together.”

Thursday, January 24, 2008

Mystical to Muscular: Many Styles in Play at a Keyboard Marathon Sign In to E-Mail or Save This

Mystical to Muscular: Many Styles in Play at a Keyboard Marathon Sign In to E-Mail or Save This
By ALLAN KOZINN
Published: January 23, 2008

Merkin Concert Hall, closed for refurbishing during the first part of the season, had its official opening two weeks ago and quickly got back to the business of presenting chamber and new-music concerts. But on Monday it changed pace with a Grand Piano Marathon: a free concert of piano music, including contemporary works, classical scores and jazz, that began at 2 p.m. and finished at nearly 9. For most of the day the hall was packed, with a line outside that was only partly alleviated by a late-afternoon decision to put seats on the stage. Not until the final hour did the audience begin to thin out.

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Jennifer Taylor for The New York Times

Jonathan Batiste performs in the Kaufman Center's "Grand Piano Marathon" in Merkin Concert Hall.

The program began away from the keyboard, when Face the Music, an ensemble of 15 students from the Kaufman Center’s music schools, performed — unleashed, really — Gyorgy Ligeti’s “Poème Symphonique” for 100 metronomes (1962) in the hall’s mezzanine. The work involves letting the metronomes (set to different tempos) tick until they all run down, a process that took about 25 minutes and yielded constantly changing rhythms and textures.

Later in the afternoon Farrah Dupoux and Brian Ge, students from the center’s Special Music School, gave a vigorous, clear-textured performance of John Adams’s part-mechanistic, part-whimsical piano duo “Hallelujah Junction” (1996). The Minimalist impulse was plentifully represented elsewhere too. Michael Riesman, the pianist and conductor of the Philip Glass Ensemble, played his own transcription of three movements from Mr. Glass’s “Dracula” film score (1998). The keyboard reduction is cruder and less supple than the original, for string quartet, but it has an advantage in the work’s spikier, more chromatic sections, which strings render less strikingly.

Frederic Rzewski’s “Piano Piece No. 4” (1977) begins with a Minimalist gesture: a repeated note that morphs into a relentlessly pounding chord before abandoning the repetition and expanding toward both ends of the keyboard. Lisa Moore gave it an explosive, muscular performance and did much the same for Martin Bresnick’s “Dream of the Lost Traveler” (1997), a brawny work with a mystical core, courtesy of a Blake text (from “For the Sexes: The Gates of Paradise”), which Ms. Moore sang.

The other contemporary score on the program was William Bolcom’s Ballade, with Ursula Oppens giving the premiere to close the marathon. This is Mr. Bolcom in his thornier style, rather than his more easygoing, eclectic mode. The writing is forceful, rich in syncopations and full of big, rumbling gestures that made Ballade seem an odd title. But Ms. Oppens played it with her customary eloquence.

The classical performances also included Rachmaninoff’s Sonata No. 2 in Igal Kesselman’s thundering, kaleidoscopic account and a set of Chopin (waltzes, mazurkas and a nocturne) in impetuous, somewhat rushed performances by Orli Shaham. The more involving of the jazz sets included an expansive, intriguingly chromatic work by John Medeski; a group of shorter, polystylistic pieces by Jonathan Batiste; and a few standards dazzlingly played by Lee Musiker.

Monday, January 21, 2008

In Harlem, 2 Record Stores Go the Way of the Vinyl

In Harlem, 2 Record Stores Go the Way of the Vinyl
Suzanne DeChillo/The New York Times

The record store Bobby’s Happy House was replete with photos of the owner, Bobby Robinson, with stars like James Brown. The store shuts its doors on Monday.

 

Published: January 21, 2008

On Saturday morning, Bobby’s Happy House, a music store in Harlem that opened in 1946, was in a state of chaos.

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Suzanne DeChillo/The New York Times

Bobby Robinson.

The store’s owner, 91-year-old Bobby Robinson, who was wearing a dark blue suit and his trademark black fedora, seemed bewildered as he surveyed his store. Albums were stacked on the floor, photographs of him with Fats Domino, James Brown and others had been pulled from the walls and the store’s glass display cases contained only a few scattered CDs and cassette tapes.

A few hundred yards northwest, at the Harlem Record Shack on 125th Street, an employee with a handmade sign was urging passers-by to sign a petition to keep that store from being evicted.

Inside, the voice of the store’s owner, Sikhulu Shange, 66, rang through the Record Shack as he vowed not to go easily, even though he was under a court order to leave within a few weeks, after 36 years in business there.

Mr. Robinson and Mr. Shange, who have been friendly rivals for Harlem’s music dollars for almost two generations, are on the cusp of being forced out of business here within weeks of each other as Harlem continues its uneasy transition from being a haven for some of the city’s poorest residents to a place where apartments selling for $1 million and tripling commercial rents have become unremarkable occurrences.

Bobby’s Happy House, on Frederick Douglass Boulevard near 125th Street, is closing on Monday, Martin Luther King Jr. Day. Mr. Shange has been given until the end of March to vacate his store.

Each man represents a distinct generation of black men who arrived in Harlem as young men seeking to contribute to a neighborhood they had long heard about and had admired.

Mr. Robinson, originally from South Carolina, came after World War II. He speaks in the language of that time, using words like “colored,” which has long been retired.

Mr. Shange, who arrived from South Africa in the 1960s, came of age during that era’s tradition of protest. He wears dashikis and repeats words like “empowerment.”

Each man said the runaway pace of change in the neighborhood during the past few years was unlike anything they had seen before.

“Everything you see here, I built,” Mr. Robinson said, waving his arm around his store as friends and family members boxed up decades of mementos. “How do you think I feel?”

On the other hand, Mr. Shange, who was at the center of an eviction battle in the 1990s that culminated in gunfire and an arson attack that killed eight people, left no doubt about his feelings. He was angry.

“There was a time when everybody was running away from Harlem, but we stayed, keeping the culture alive,” he said, as shoppers surveyed the small store’s African, gospel, jazz and R&B selections that are kept in locked glass cases. “We don’t have nothing to show for being in the community all these years and keeping it beautiful. Tourists are not coming here to see McDonald’s and Burger King. They are coming here to see black culture.”

The two stores have survived so long, the owners say, because they offer services and products customers cannot get anyplace else.

At Bobby’s Happy House, those services included recording albums onto cassettes or CDs for customers and allowing visitors to pull up a plastic chair and chat with Mr. Robinson, who was a noted record producer. His work included Wilbert Harrison’s No. 1 hit “Kansas City” in 1959 and groundbreaking hip-hop songs by Doug E. Fresh and Grandmaster Flash and the Furious Five during the late 1970s.

The inspiration for the name of Bobby’s Happy House, which has had various names over the years, was a doo-wop song Mr. Robinson wrote for Lewis Lymon & the Teenchords in 1956 called “I’m So Happy,” a hit in the Northeast. (Lewis Lymon was the younger brother of Frankie Lymon, best known for a song with the Teenagers, “Why Do Fools Fall in Love?”).

At the Record Shack, customers have found in Mr. Shange, a former dancer, an authoritative source on American soul music and hard-to-find African music. In a nod to their customers, both stores continued to sell records and cassette tapes, formats most other stores have not sold for years.

“A lot of old people are ashamed to go to a store and ask them for cassettes,” said Mr. Robinson’s daughter, Denise Benjamin, who has managed Bobby’s Happy House for her father in recent years.

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Both Mr. Robinson and Mr. Shange said it was unclear what role the downturn in the record music industry has had on their stores, but HMV and the Wiz, two large retailers that sold CDs and other items, have closed stores on 125th Street during the past few years.

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Suzanne DeChillo/The New York Times

Sikhulu Shange, 66, has until March 31 to vacate the Harlem Record Shack after 36 years in business on 125th Street.

Mr. Robinson and Mr. Shange said they had been caught off-guard by their evictions and the transformation of the neighborhood. Each has a different landlord. Within a few blocks of their stores are more than a dozen construction sites for projects that include a 19-story hotel, office towers and luxury co-ops and condominiums.

Once the last of the old records have been cleared from Bobby’s — and other tenants in the block-long building have moved out — the new owners, a partnership of the Sigfeld Group and Kimco Realty Corporation, have said they will tear down the structure and replace it with a four-story officebuilding, including retail space on the ground floor. None of the old tenants, including Mr. Robinson, said they had been invited to set up shop in the new building. Several store owners have filed a lawsuit contesting their evictions.

Ms. Benjamin said family members decided not to join the lawsuit because they wanted to save their money to find a location nearby.

Representatives for Sigfeld and Kimco, which bought the building for $30 million in August, did not respond to phone calls and e-mail messages seeking comment. Mr. Shange’s landlord, the United House of Prayer for All People, won a court order forcing Mr. Shange to leave the store empty and “broom clean” by March 31. The church has not announced its plans for the space, and a church representative at its headquarters in Washington declined to comment. David M. Grill, the attorney representing the church in New York, did not return a phone call and an e-mail message seeking comment.

Mr. Shange, who has been paying $4,500 a month — about $500 more a month than Mr. Robinson at Bobby’s Happy House — said that he was willing to pay more, but that the church, which is above the store, had refused to negotiate.

Mr. Shange said the store was organizing a protest rally on Sunday at 11 a.m., when many of the church’s parishioners will be arriving for services.

A flier at his store advertising the rally reads: “Protest Greedy Landlords! We will not be moved from Harlem!!! We must reclaim, preserve and protect our historic black community. If we do not, no one will!!!”

Eight thousand people have signed a petition opposing his store’s eviction, he said.

When Mr. Shange faced eviction in 1995 during a dispute with a different landlord, who held the sublease for the Record Shack, weeks of demonstrations over the plans of the landlord, who was white, to evict the black-owned store took on a racial tinge. The dispute ended after a protester walked into the landlord’s store, which was next to the Record Shack, carrying a handgun and a container of paint thinner. After shooting and wounding four people, he set the store ablaze before shooting himself. He and seven other people died in the blaze.

Mr. Shange said he expected the coming demonstration to be peaceful, just as others in support of his store have been in recent months.

Unlike Mr. Shange, Mr. Robinson’s daughter said she did not particularly object to the changes occurring in Harlem, whichhave included new bank branches and grocery stores.

“I don’t mind change, but when people have had to endure everything — and you know if you’ve been here 60 years you’ve endured a lot,” she said, her voice trailing off. “This is everything to him.”